Genre Media and Advanced Writing
We all know that computers don’t have feelings. But how might we leverage technology to think about what it is to be human; to identify the emotional state of a speaker; to anticipate the affective response a text aims to produce in a reader
Serves as an introduction to media studies specifically from a humanities perspective. Studies both histories and theories of media from the 20th and 21st centuries. Touches on methodologies for undertaking media studies (including distant ready and
How black is Romanticism? This question will be the central concern of our course, which will investigate the roots of British and American culture in the routes of trans-Atlantic economic trade of the late eighteenth century. We will contest
How does the comic book work, both on the page and in the world? In answering this, we'll go back to the comic book's beginnings and work our way book by book all the way up to now, where comic book movies are dominating the box office. Expect to
This course surveys theoretical, critical, and historical writings in the context of lesbian, bisexual, transgender and gay literature. Examines relationships among aesthetic, cultural and political agendas, and literary and visual texts of the 20th
This course explores buffalo in American folklore from its earliest appearances in American travel narratives and colonial records. We will look at how British and French colonists related to the American continent through its inhabitants, buffalo
This course will serve as a humanities-based introduction to digital media structures such as the digital archive and reading/writing software that fundamentally affects what we ourselves are able to read/write; theories and methodologies for