On April 15, Assistant ProfessorÌýJoel Swanson'sÌý·É´Ç°ù°ì,Ìý, began streaming onÌý, a 150-foot long by 22-foot high array of 89 LED blades located in the lobby of the iconic 150 North Riverside building in Chicago. Earlier this year, the Museum of Contemporary Art in Denver commissioned him to produce a new body of work as part of theÌý, an innovative art-lending program. Swanson’s piece,ÌýIn Other Words…—a solo show at the Republic Plaza in downtown Denver that will be on view through June 12—was recentlyÌýÌýin theÌýDenver Post. This summer, he will exhibit digital works at theÌýÌýin Cork, Ireland, in conjunction with the Electronic Literature Organization’sÌý.
Julie Carr’sÌý²ú´Ç´Ç°ì,ÌýReal Life: An Installation, published by Omnidawn Books, was selected as one of the top five poetry books of 2018 byÌýPublisher's WeeklyÌýand named a top book of the year byÌýEntropy. The book has been reviewed by magazines includingÌýKenyon Review,ÌýOn the Seawall,ÌýRagazine, andÌýLibrary Journal. TheÌýÌýwebsite includes work by faculty and students from CMCI and the College of Arts and Sciences, including: Joe Steele, Erin Espelie, Jeanne Liotta, Phuong T. Vuong, Gesel Mason, Joel Swanson, Michelle Ellsworth and Kelly Sears.
In February,ÌýMichael TheodoreÌýperformed a new collaborative work titledÌý49 Days, featuring PhD student Sean Winters on trumpet and electronics and Theodore on electric guitar and electronics. He recently received a CHA grant in support of his forthcoming solo exhibition at the David B. Smith Gallery in Denver. The exhibition—his third at the gallery—will continue Theodore’s exploration of analog interventions and mediation of algorithmic processes.
Michelle Ellsworth'sÌýrecent performance works,ÌýThe Rehearsal ArtistÌý²¹²Ô»åÌýPost-Verbal Social Network, were featured at On the Boards Festival in Seattle and Fusebox Festival in Austin. The performances were made possible by the support of organizations including The MAP Fund, the Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation, the Boulder County Arts Alliance and more.ÌýThe Rehearsal ArtistÌýis also a National Performance Network Creation Fund project, co-commissioned by Performance Space NY, The Richard B. Fisher Center for the Performing Arts at Bard College, On the Boards, Women and Their Work and the Â鶹ÊÓƵ. The development ofÌýThe Rehearsal ArtistÌýwas made possible by the Maggie Allesee National Center for Choreography at Florida State University, as well as the Center for Humanities in the Arts and IRISS Project Society research funding at the Â鶹ÊÓƵ.