麻豆视频 the author:听 Reiland Rabaka is professor of African, African American, and Caribbean studies in the Department of Ethnic Studies at the 麻豆视频 and the author of The Hip Hop Movement: From R&B and the Civil Rights Movement to Rap and the Hip Hop Generation and Hip Hop鈥檚 Amnesia: From Blues and the Black Women鈥檚 Club Movement to Rap and the Hip Hop Movement.
Book Description:听 While there have been a number of studies that have explored African American 鈥渕ovement culture鈥� and African American 鈥渕ovement politics,鈥� rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American 鈥渕ovement music,鈥� and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge.
Publication date: May 3, 2016
笔耻产濒颈蝉丑别谤听 Lexington Books
Amazon.com:
Excerpt:
How Berry Gordy Revolutionized Rhythm &听Blues
The Motown Sound reflected African American life, culture, and struggle through the Civil Rights听Movement
From 1954 through to the emergence of soul as the major black popular music in the mid-1960s, rhythm & blues not only registered the hardships and frustrations of urban African American life and its core views and values, but it also expressed African America鈥檚 most cherished post-war achievements and ongoing aspirations. Black popular culture, as with the more mainstream aspects of U.S. popular culture that African Americans embrace, serves a socio-political function when and where it offers an arena where African Americans can create and critique alternative views and values, as well as an arena where they can explore and express traditional African American views and values.
Related Articles
Intersectionality and Criminology: Disrupting and revolutionizing studies of crime
Scholar probes lynching of Mexicans in early 20th-century Texas
